I’m baaaaaaack!

You can take that title as “Honey, I’m home!” or as a scary reference to the return of a poltergeist.  Either way, I’m glad to be back and eager to share my struggles and my successes.

I’m also going to tell you from personal experience, life can indeed get in the way of goals and best intentions.  During the past year-plus, I’ve had a domino effect of physical ailments that culminated with four hospital stays, two of which were through the Mayo Clinic in Rochester, MN.  I’ve had more MRIs than I can count, had surgery, then complications.  All that is behind me now and I’m writing again.  I’m even starting to feel normal.  Yes!

For the past month or two, I’ve been dabbling at writing, but not really getting in the swing.  Then a good friend urged…okay, pushed me into doing NaNoWriMo again.  It was the best thing I could have done at the best possible time.  I didn’t “win” by writing 50,000 words during the month, but it was a personal win because I wrote almost 28,000 words and that’s more than I’d written in over a year.

If there are any who don’t know about NaNoWriMo, a link is listed on my “Resources that can minimize struggling” page.  It’s under Pages, to your right.

Despite a glut of fits and starts, abandoned ideas and good intentions, when I started NaNo on November first, I still had only the barest idea of what I was going to write.  Instead of trying to finish one of my half-finished novels, I started a new one.

I had an idea with an accompanying paragraph that had been sitting in my Story Fodder file for a couple of years.  By the time I got an actual beginning, a few characters and a direction, I realized the character my fodder idea embraced would probably start the sequel.  He was a savvy, jaded sort, and the fella who poured himself onto my digital page was naïve, but earnest.  He’ll be savvy and jaded by the end of this novel, I’m sure of it.

In order to keep my head in writer-mode, I also decided to surround myself with more writing-related situations and endeavors.  To that end, I took over the reins of a Meetup writing group.  I had attended exactly one meeting, when the organizer who had started the group had a family emergency and had to move out of state.  That has also been a good decision for me.  There will be more about writer’s groups in later posts.

My most immediate goal at this point is to finish what I’ve started, and I’ve started plenty.  I now have three novels with 25K to 53K words finished, which is a third to a half or so done.  One is young adult, and that one’s going to be first, since it’s also been in the works longest, is the least complicated, mostly because it is young adult, and has the most words to date.  Oh, and there’s also a short story that every single person who’s read it thinks should be a novel.  So make it four unfinished novels.

There.  Now my return to writing is official.  What are your short- and long-range goals and your tricks to keep writing?


Realizations and light bulbs

It’s been too long since I’ve written a blog post.  It’s also been that long since I’ve written anything of import.  I’ve pounded the keyboard on occasion, but it just didn’t go anywhere.  My get-up-and-go got up and went.  I pondered over it, tried to get over it, but the words just wouldn’t come.

Finally, I realized what had happened.  I was not writing because I was fixating on what I might do wrong.  Whoa, Nellie!  How the heck did that happen?

I’ve always felt I have a thick skin.  I can handle any kind of writing criticism.  Even a critique or a passing comment I totally disagree with is food for thought.  These people are readers.  Readers with their likes, dislikes and attitudes will hopefully, eventually be picking up a book with one of my stories in it or God willing, one of my novels.  What they think may or may not impact what I write, but awareness is good.  In an excellent eBook I just read, Making Story: Twenty-One Writers On How They Plot, edited by Timothy Hallinan, one of the contributing authors, Yrsa Sigurdardottir, said “If the people you ask to read over are trustworthy, they are not out to sabotage your work but help you.  So listen to them and make judgment calls for each criticism, putting your ego to one side as you do this.  Receiving criticism by e-mail beats reading the same in the review section of the paper, hands down every time.”

At a writers critique group I attended in July, one of the critiques I received was in my estimation over the top.  I came to realize the critique was less about my writing and more about me.  It was payback for probably more than one faux pas committed by yours truly.  Admittedly, I have trouble determining where the invisible social lines are drawn and find myself stepping over them occasionally.  I usually realize my mistake belatedly and try to make amends.  In the back of my mind I always worry about where those dratted lines are, but don’t always get it.  As I told another critiquer, I try to be nice, but I can be incredibly stupid.

I believe this reviewer’s take on my writing was as honest as it could be, but the way it was delivered aloud in the group and on the story she handed back to me was condescending, sarcastic and mean.  This kind of thing doesn’t happen to me often and I was totally unprepared.  What shocked me more than the review was that it led to a gradual paralysis of my ability to write.  It wasn’t that I thought I had no talent.  It was because I was too afraid of whom I might offend, insult or otherwise prod into a repeat.  It wasn’t about my writing.  It was about me.

Well.  That was then.  The only reason it worked so long on my psyche is because it took me so long to admit to myself it mattered what people thought of me.  When I was reacting on a purely subconscious level, it was devastating.  I’ve been living in the country, away from city and academic life too long.  My ability to recognize this kind of dynamic had been on hiatus.

The silver lining is that it woke me up to the possibility of more, but also the ability to recognize it for what it is and cope.  If I aspire to write on a salable, commercial level, I open myself up to be a target for more of the same.  There will be those who don’t like my writing and those who don’t like me.  I am sure some of them will be vocal or well-read.  Now I am more prepared.

So here I am, putting it out there again.  If I step on your toes, feel free to let me know.  It’s is much preferable to belated, oblique vengeance.  My obliqueometer is faulty, but it’s under repair.

While floundering with all of this, my novel has been percolating in my head.  I hadn’t quit, I was just stymied.  Realization upon realization – I need to rewrite the dang thing.  I’m mostly happy with the writing.  What I’m not happy with is the focus.  It doesn’t have any.  That’s why I’ve been having so much trouble developing a plot.  I hadn’t really settled on a core theme and story parameters.  Reading the above mentioned book has been a revelation in that regard.

I appreciate all who have been patient and understanding as I struggled toward another light bulb moment.

The writing work ethic and KAPOW

Today is past the usual day for Monday’s Kick-Ass Prompt of the Week (KAPOW), but I’m combining posts for a while.  I’ve been feeling overwhelmed.  I was going to say a little overwhelmed, but that would be an oxymoron.

My troubles generally stem from my ability to say no to others, yes, but mostly to myself.  I have trouble differentiating between what I can do and what I should do.  I’m not going to get into specifics; this is a writing blog, not a personal flog – I mean blog.  Heh.

Part of the problem has been because I’m not thinking of writing as work.  I have tried to talk myself into it aloud for some time.  My husband has demonstrated a better grasp than I have.  He just now came up to me with a question about a 5-gallon bucket of green beans he had just picked from the garden.  When he saw my computer display with the blog post on one side overlapping my WIP he said, “Oh, you’re working.  Never mind.  I’ll take care of it.”  What a guy.

I had the good fortune to be able to work from home for a number of years for an answering service.  When I answered phones in the office, I worked five eight-hour days.  From home, I was able to work four ten-hour days.  That meant I had three days per week off.  The remaining four days I sat my rear in my office chair in front of the computer, donned my headset and logged in.  During that ten hours I had three fifteen-minute breaks.  It was not a hardship, other than having to eat fast, a habit I’m still trying to break.

It was easier because I wore a headset and responded to calls as they came in.  I had no control over the frequency or the type of call – some were retail sales, some were customer service, some were after-hour calls for professionals and more.  The work desktop and the calls coming in were the driving force.

Now that I’m retired from the workplace, when I sit here to write, it’s on me.  I’m the driving force.  I am also easily distracted.  When I was taking calls for work, everybody knew I was working.  I didn’t answer the home phone, I didn’t take visitors, I was working.  Enforcing that work ethic while I’m writing is more problematic.  Some of my family and friends still think of my writing as a hobby.  I’m afraid I don’t enforce the do-not-disturb aspect as I should.  It’s a balancing act.  I’m still working on it.

In that vein, this week’s KAPOW challenge is to write, in 300 words or fewer, a description of something in your workspace.  It can be where you work now, have worked or want to work.  Narrow the focus to one inanimate object, no matter how large or small – no dialog and no character interaction.

Hmmmm.  Looking around my workspace . . .




by C J Gorden

Its destiny, its purpose, had been to compliment the leaves and blooms and encompass the soil and roots of a prized dollar-ninety-five Wal-Mart violet purchased at the same time.  The two-piece container was designed to be a self-waterer, to draw water from the lower bowl through the unglazed portion of the upper receptacle nested within it in a way that made violet care . . . carefree.  It was not to be.  The water did not seep upward slowly over time, it flooded the coveted violet’s roots within the month and killed it dead.  No one noticed the sodden soil until it was too late to save the violet and the disenfranchised planter was relegated to a small, dilapidated box in a dark closet of shame.  After some time had passed the horror had abated and the planter was noticed again.

Fate has provided a new purpose for the former violet planter with the blue crackle glaze.  The high-shouldered, gracefully tapered base was judged stable enough to keep rulers, scissors and letter openers upright and the smaller container nested inside it keeps the contents from sprawling.  It holds not only an assortment of pens, pencils and highlighters, but a revolving medley of items from the entire household.  Among other miscellany there is a crochet hook, a Barbie’s golf club appropriated after a 2-year-old’s attempt to use it to clean a kitten’s ear, an impromptu caliper made from parts of two sewing rulers and across its lip rests a straightened paper clip once used to manually eject a CD from a misbehaving drive.  You never know when you might need one of those. No longer a failure, the planter has become a  reflection of its environment and is now known as The Pencil Cup.

Monday’s Kick-Ass Prompt of the Week (KAPOW)

I’m late again.  Had another bout with some kind of bug.  Feeling a lot better today and determined to catch up.  In lieu of my own writing prompt, I’m going to pass along a prompt from another blogger.  She shares her words at Fay Moore: I Want To Be a Writer.

Fay offers up music prompts, something totally out of the realm of my experience.  I have been a little chicken to try one but have decided since she responded to my last KAPOW prompt, it is time to put on my big girl panties and do it.

The prompt song is “Lightening Crashes” by Live.  It is not the kind of music I usually listen to so it was a stretch in every way.  It is an intense, ethereal song with a universal premise.  I considered writing poetry, but since the lyrics are poetic, it felt like I’d be butting heads with the lyricists over their own song.  So I went with poetic prose.  It was an eye opening experience and unlike anything I’ve written to date.  Thank you, Fay!

If you decide to write a piece for the prompt and post it to your blog, please let me know about it in a comment, or post the piece itself in a comment.  I’m looking forward to seeing what you come up with.  Comments are appreciated.  Kind critique is also appreciated.



by C J Gorden

Tympanic rolls of thunder rumble low over the dying day as dark, roiling clouds connect with bursts of blinding light to the waiting Earth.  A lone angel weeps.  Her tears renew the life below and her wails grieve the losses of the day and the dying of the light.

With a pervasive howl a cleansing wind sweeps over and around, above and below, drying the angel’s tears while down below, cradled in the Earth’s embrace, an old woman breathes her last as a new baby takes a wailing first breath, echoing the dying of the day and the rebirth of a new dawn.

The plot thickens

It’s day two of Camp NaNoWriMo and I’m behind in my word count – way behind.  The upside is I’m still working on my novel, just indirectly.  Even though my word count is not progressing much at the moment, I’m working to get to where the words will flow.  I decided (belatedly I know) to deconstruct the first half of the novel.  I’ve started editing the first part of it but realized I haven’t read the last two-thirds or so since I wrote it last November.  Not only that, but I’ve learned some things recently about scenes and blocking out plots.

I’m not so worried about my low word count this early in the month.  The average daily word count to shoot for to finish on time is 1,613.  It’s not an assignment; it’s a number to keep in mind.  Another number the folks at The Office of Letters and Light (the NaNo organizers and managers) supply on their novel stats page is the average words you would have to write from where you are now to still finish on time.  For me in the middle of day two with 246 words under my belt it’s 1,651.  See?  It’s still early.

Getting back to scenes and plot progression.  When I read a book I have to be able to visualize the action and the scene or enough of the scene my imagination can fill in the blanks.  What that translates into is scenes.  If I don’t have enough information to visualize a scene it pulls me out of the story.  If I find myself wondering what the author meant by something, wondering if I missed something, it pulls me out of the story.  I’ve been hearing a lot lately about thinking of a novel as a series of scenes.  I’d never thought about it that way, but it eventually became a light bulb moment.

It had to percolate in my subconscious for a while, but I think the brew is ready.  I opened the first half of the novel and I’m taking it chapter by chapter making review margin comments that look like this:

Chapter 1 – Scene:  Protag introduces herself. / Scene:  Protag explains how the story starts and how she had a fight with her BFF.

Chapter 2 – Scene:  Protag is freaked out because __________. / Scene:  Protag calls BFF and tries to explain, asking her to come over.

Chapter 3 – Scene:  BFF is convinced the fight was a mistake and sees proof.  Protag’s mother invites BFF to stay for dinner. / Scene:  Protag convinces parents she is sick and should stay home from school.  Protag makes a plan with BFF who is going to play hooky.

Keep in mind there’s a lot going on in each chapter to capture and hold the attention of the reader but the list of scenes is a good way to distill the story down to its bones.  My hope is that eventually I will be able to make a scene-by-scene outline that will allow the actual story writing to progress faster.

I read author’s sites when I enjoy their writing.  At one such site (I can’t remember which one) the author recommended you take a novel you like, that has a plot you appreciate, and deconstruct it.  I wasn’t sure how to go about that, but the scene list looks like a good way to go.  I think I’m going to start with the first of the Sookie Stackhouse novels by Charlaine Harris, Dead Until Dark.  I love that book, and I want to figure out how the heck she did that, never mind best seller’s lists and HBO deals.  I’ll let you know how it pans out.

Monday’s Kick-Ass Prompt of the Week (KAPOW)

The last post had to do with dilemmas common to kids and those for whom they are the target audience.  This week’s KAPOW challenge is to write a first person piece in the voice of a child.  Pick an age from barely-able-to-talk (“Waaah, waaah, num, num, num.” won’t cut it) to eighteen years old.  The main character may be male, female or in the case of an alien, of indeterminate gender.

If you decide to write a piece for the prompt and post it to your blog, please let me know about it in a comment, or post the piece itself in a comment.  I’m looking forward to seeing what you come up with.  Comments are appreciated.  Kind critique is also appreciated.



by C J Gorden

My cousin and I were playing house.  She’s one year younger than I am so I gave her my favorite dolly from Christmas last year.  Just because I can’t find her clothes and one eye won’t open doesn’t mean she isn’t a good dolly.  But my ugly cousin just dropped her and stared at me with her bottom lip out in that way that always means trouble.  All of a sudden she reached out and grabbed the doll I was holding, right out of my hand.  “Hey!  That’s my Barbie!  I gave you a dolly.”

She held the Barbie behind her back and smiled at me, but it wasn’t even funny.  “You play with it then,” she said.  “I get the Barbie.”

I scrunched up my face so I’d look real mean.  “That’s my Barbie.  Give her back.  I don’t want to play with you any more.”  I stepped a little closer.  I’m bigger than her.

“Girls,” Mommy said from the kitchen, “do you want to help me make cookies?”

We stared at each other and our eyes and mouths popped wide open we were so excited.  Barbie hit the floor and we raced to the kitchen to pull chairs up to the counter.

What do kids and YA or youth writers have in common?

Kids and those who write for them have to face a lot of the same decisions.  There is one large difference, of course.  As writers, we struggle with these decisions for our characters.  For adolescents and young adults themselves, the decisions are personal.  They agonize over the first time they want to ask a girl for a dance without being forced by a gym teacher.  They struggle with the challenges of dating and the social pressures regarding drug use and sex, and all that is influenced by the pendulum swings of hormones.  Nostalgia just took a turn for me.  Ah, angst – I remember it well.

As writers, we have to decide how we’re going to present these situations and how they are going to affect our characters.  Young Adult publications run the gamut of idyllic stories that seem intent on setting a wholesome example to edgy stories that reflect the slimy underbelly of the reality in which some children live.

In the novel I’m writing my protagonist is a fifteen-year-old girl.  She’s a pretty normal, sassy teenager but events are going to change her reality and she’s going to have to adapt.  Will she start cursing like a sailor, will she kill somebody in a fit of rage, will she and the guy she’s been making goo-goo eyes with have sex?  Not sure yet, but it’s been on my mind – thus this post.

I can understand the motivation of some parents and educators to only let kids read books that can serve as an example of exemplary behavior.  That’s what I wanted for my kids and want for my grandkids.  I would prefer they never experience adversity and never have to make difficult choices.  In order to ensure that, we would have to move back to Eden.  That quest would be fraught with everything I tried to shelter them from and is an impossibility, whether you believe it ever existed or not.

I spoke to a psychologist many years ago about how to handle it if you suspected someone was contemplating suicide.  This came up because my son suspected a friend of his was contemplating suicide.  Her advice was to ask them point blank – ask if they were thinking about it, if they were planning it and how far into the planning they had gone.  She assured me I would not be putting ideas into their head.  They were not going to say, “Why didn’t I think of that!” and start planning a suicide if the thought wasn’t there in the first place.

I have extended that advice to include any emotional place a person, adult or child can find themselves.  We chose what to read based on our needs, likes and dislikes.  If it’s of no interest to us we won’t read it.  If our children read something that relates to them and their lives or brings up something they’d like to understand, it opens the door for dialog with us as parents and educators.  Just because we don’t want them to experience or be faced with a thing doesn’t mean they aren’t.  Telling them they can’t read about difficult realities also tells them we don’t want to talk about them, effectively shutting the door to dialog.

I tried to write this blog post objectively and give equal time to both sides of the debate, but I find I’m just not objective enough about it to do that.  The journalist in me cringes, but the parent, grandparent and writer in me has to take a stand.

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